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Hu Feng (1902-1985) was a prominent Chinese literary critic, writer, and theorist who became a central figure in a major political purge during the early years of the People's Republic of China. He is primarily known for his advocacy of literary realism and his independent stance against dogmatic interpretations of Marxist literary theory, which ultimately led to his downfall.
Early Life and Literary Career
Born Zhang Guangren in Hubei province in 1902, Hu Feng adopted his pen name later in life. He studied at Peking University and then in Japan, where he became involved with Marxist literary circles. Upon his return to China in the 1930s, he quickly established himself as an influential voice in the literary world.
- Literary Affiliation: Hu Feng was a close associate and disciple of Lu Xun, one of China's most revered modern writers. This connection initially lent him considerable prestige.
- Key Theories: He advocated for a "subjective fighting spirit" (主观战斗精神) in literature, believing that writers should deeply engage with reality and express their authentic feelings and observations, rather than merely illustrating pre-determined political lines. He stressed the importance of individual creativity and the writer's "inner world" in reflecting social contradictions.
- Journalism and Criticism: Hu Feng edited several influential literary journals, including July (七月) and Hope (希望), which provided platforms for young, emerging writers and fostered critical discussions about literature and society.
The "Hu Feng Affair"
Hu Feng's independent intellectual spirit and his critique of the rigid control over literature by the Chinese Communist Party (CCP) eventually put him at odds with the authorities. The "Hu Feng Affair" (胡风事件) of 1955 was a nationwide political campaign that targeted him and his followers, leading to their persecution.
- The "300,000-Word Letter": In 1954, Hu Feng submitted a long, detailed report (often referred to as the "300,000-word letter") to the Central Committee of the CCP. In this letter, he criticized the Party's cultural policies, arguing that they stifled creativity, promoted formulaic writing, and created an atmosphere of fear and conformity among writers. He specifically took issue with the "five daggers" of literary control: the notion that literature must conform to a fixed worldview, the overemphasis on "national forms," the mechanical application of folk art, the rigid interpretation of "class struggle," and the suppression of diverse voices [1].
- Mao Zedong's Intervention: Initially, the letter received some internal discussion, but it was Mao Zedong himself who escalated the matter into a full-blown political purge. Mao personally edited and published excerpts of Hu Feng's letter, framing them as evidence of an anti-Party "Hu Feng counter-revolutionary clique" [2]. Mao's annotations portrayed Hu Feng's criticisms as a sinister plot to subvert the Party and the socialist revolution.
- Purge and Persecution: Following Mao's intervention, a massive campaign was launched. Hu Feng was publicly denounced, arrested, and imprisoned in 1955. Thousands of his literary associates, friends, and even family members were also investigated, persecuted, imprisoned, or sent to labor camps. The campaign effectively silenced dissenting voices in the literary and intellectual community for years and served as a precursor to later, larger-scale purges like the Anti-Rightist Campaign.
Later Life and Rehabilitation
Hu Feng spent over two decades in prison and internal exile, enduring severe hardships. He was only fully rehabilitated in 1980, after the end of the Cultural Revolution and the rise of Deng Xiaoping. His case is now widely recognized as a grave miscarriage of justice and a stark example of the suppression of intellectual freedom in China.
Legacy
Hu Feng's legacy is complex:
- Literary Theory: His theories on literary realism and the importance of individual expression continue to be studied, particularly in the context of Chinese literary history.
- Symbol of Persecution: He remains a powerful symbol of the persecution of intellectuals and artists under totalitarian regimes. The "Hu Feng Affair" is a critical case study in the history of the CCP's control over culture and ideology.
- Impact on Chinese Literature: The purge had a chilling effect on Chinese literature, leading to a period of artistic stagnation as writers feared expressing anything that could be interpreted as critical of the Party.
References:
[1] Lee, Leo Ou-fan. The Romantic Generation of Modern Chinese Writers. Harvard University Press, 1973. (Provides context on Hu Feng's literary ideas and the "five daggers" critique).
[2] Mao Zedong. "On the Hu Feng Counter-Revolutionary Clique." Selected Works of Mao Tse-tung, Vol. 5. Foreign Languages Press, 1977. (Mao's direct involvement and framing of the affair).
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